Sunday, 17 May 2009

The Ancient Art of Enchanting the Landscape

An Introduction to Earth Mysteries - Part One

And I saw in those days how long cords were given to those angels, and they took to themselves wings and flew, and they went towards the north.
And I asked the angel, saying unto him: ' Why have those (angels) taken these cords and gone off? ' And he said unto me: ' They have gone to measure.' 
- The Book of Enoch

The Long and Winding Road
Earth Mysteries, a term coined in the early 1970s, is today used to describe a multi-disciplined approach to the study of ancient megalithic sites and landscapes, a wide variety of unexplained phenomena across the planet, including ancient anomalies, alignments, crop circles, ancient earthworks, standing stones, holy wells, mazes and labyrinths, terrestrial zodiacs, folklore and folk customs, UFOs, ghosts, psychic archaeology and other related paranormal matters. This list is not exhaustive by any means; generally anything outside the norm is acceptable for study. Falling largely outside the accepted range of mainstream research, Earth Mysteries are generally regarded with suspicion by scholars and ignored by orthodox science, which makes it so much more appealing to many; we are not tied in a box but, by necessity, we are always thinking outside it. Not confined by text book teachings, followers are free to think and operate beyond the constraints of academia.

Earth Mysteries is denied as a discipline altogether by some and considered by others to begin with the antiquarians John Aubrey and William Stukeley. Aubrey, carried out much field-work at Avebury and Stonehenge and recorded notes on many ancient sites, including Wayland's Smithy. Aubrey is also remembered for his inclusion in his plan of Stonehenge in his "Monumenta Britannica", recording a series of depressions immediately inside the enclosing earthwork of the henge. Curiously, Stukeley does not mention them in his painstaking examination of the site, and it was not until more recent excavations undertaken in 1921-25 by the Society of Antiquaries that they were found to be holes cut in the chalk, thought to hold timber uprights. A total of 56 holes were discovered and named the 'Aubrey holes' in honour of John Aubrey's observation. These holes are now recognized as belonging to the first phase of the monument's construction.

In 1648 he rediscovered the great Megalithic temple of Avebury, while out hunting with some friends in Wiltshire they came across the great earthworks and huge stones placed about the landscape as a great prehistoric temple. In the following century, William Stukeley was to develop the claim that Avebury was an ancient cult centre of the Druids. Stukeley, considered one of the founders of field archaeology, pioneered the archaeological investigation of Stonehenge and Avebury producing elaborate accounts of these monuments, which appeared in 1740 and 1743.

Whereas the likes of Aubrey and Stukeley were what could be considered as perhaps the first archaeologists, the modern Earth Mysteries movement has always been at odds with academics owing to the lack of hard evidence supporting their heterogeneous interests. Considered as peripheral or extreme in relation to the approach to archaeology and related matters, regarded by many as the ‘lunatic fringe’ owing to reliance on the ley line as the centre pivot of the quest for alternative explanations to anomalous occurrences. This has attracted labels such as pseudo-science and pseudo-archaeology to describe Earth Mysteries by many scholars who attempt to discredit these alternative theories by a process known as ‘debunking’; using science to intentionally exposing claims as being false, exaggerated or pretentious

The Long and Winding Road
In September 1870 William Henry Black gave a talk to the British Archaeological Association entitled ‘Boundaries and Landmarks’ in which he speculated that "Monuments exist marking grand geometrical lines which cover the whole of Western Europe". Black had studied roman roads during the 19th century acquiring considerable expertise on the subject and had pursued his studies for fifty years before releasing his theory that he had uncovered a whole system of ‘grand geometric lines’ which ran across Britain and Europe. Black suggested these lines linked major landmarks in a precise manner, often defining the boundary markers of counties.

Fifty years later, in 1921, Alfred Watkins (1855–1935), had noticed that several hilltops with ancient ruins on them in Herefordshire formed straight alignments. He noticed other occurrences where ancient sites, standing stones, and burial mounds were aligned, appearing so as to criss-cross the countryside. He called these alignments "leys" and published his findings in two publications, 'Early British Trackways' 1922, and ‘The Old Straight Track’, in 1925. Watkins, however, believed that these alignments were intended as trade routes; a straight line being the quickest way to move between trading centres. Watkins formed the Straight Track Club to further study these associations with megalithic sites. This theory of ley lines criss-crossing the landscape seemed to be along a similar theme to Black’s earlier speculation of the geometrical lines, adding further speculation that the ancient structures of Great Britain were specifically built to a deliberate design. In 1935, Watkins died, and in 1948, with a shrinking membership, the Straight Track Club disbanded.

A year after Watkins death, in 1936, British occultist Dion Fortune, wrote a fictional book called The Goat-Foot God in which she used the idea that ley lines were corridors of mystic power connecting megalithic sites such as Avebury and Stonehenge in southern England. Fortune had lived at the foot of Glastonbury Tor, although a mystical centre even then it was hardly the New Age town it came to be in the late 1960’s.

If any one place epitomises the modern Earth Mysteries movement then it has to be the Somserset town of Glastonbury with its legends concerning the burial of Joseph of Arimathea and the two "cruets" containing the blood and sweat of Christ in 63AD and the exhumation of King Arthur in 1191AD. The mysticism of the new Avalon continued into the 20th century when discovery in 1906 at St Bride's Well of a blue glass bowl by Wellesley Tudor Pole after he received a vision suggesting that a holy vessel was to be found in a local well, which baffled British Museum experts and led to speculation that it was the Holy Grail.

Shortly after, in 1908, Frederick Bligh Bond was put in charge of excavations of Glastonbury Abbey and over a period of ten years excavated and restored the ground plan of the Abbey at a fantastic pace. Seemingly without using traditional methods of archaeology, Bligh Bond accurately marked out the next areas for excavation, uncovering the floor plan of the abbey, a huge building nearly 600 feet in length, the missing Edgar Chapel and Loretto Chapel. The authorities were amazed the speed and accuracy of Bligh Bond’s findings leading to speculation that he possessed a copy of the original plans. Then in 1918 Bligh Bond disclosed the source of his information, when he published the book "The Gate of Remembrance" in which he revealed that he and his associate, John Alleyne (pen name of Captain John Allan Bartlett), had been in contact with the spirit of a deceased monk through automatic writing during séances. The revelations eventually led to Bligh Bond’s sacking and he went onto to lecture in America and edit Psychic Science magazine and later Survival, the journal of the American Society for Psychical Research.

In an earlier work, Avalon of the Heart, (1930) Dion Fortune recorded that while living in the shadow of the Tor, Bligh Bond’s daughter Mary suddenly started to produce automatic drawings. She had never received any training but drew remarkable anatomically accurate depictions of the human form. But these drawings were far from human, strange ethereal forms of nature spirits and demons adorned the walls in the cottage on the Shepton Mallet road she shared with her father. Mary Bligh Bond recorded her psychic experiences in the book ‘Avernus’, published in 1924. In mythology Avernus is the name of a lake near Cumae in Italy, and was believed by the ancients to be the entrance to Hades, the underworld, through Virgil’s Sixth Book of the Aeneid.

(Left) Lake Avernus Aeneas and the Cumaean Sibyl, c.1814-5, by J M William Turner.

At the beginning of the 20th Century the 'High History of the Holy Grail' or the ‘Perlesvaus’ was translated into modern English, and in 1929 Katharine Maltwood, a fine artist, was commissioned to illustrate a Map for the book, to illustrate where the 'Knights of the Round Table' travelled on their Quests. The anonymous author of Perlesvaus told how Joseph of Arimathea collected the Holy Blood of Christ at the Crucifixion and was later imprisoned by the Jews. This was a continuation of the theme started in Robert de Boron’s 12th Century poem Joseph d'Arimathie which tells of the removal of the Grail from the Holy Land to Britain and the preparation for Perceval's as keeper of the Grail. The story Christianised Chrétien's pagan graal as the cup of the Last Supper. Traditionally, on escaping from prison Joseph travelled to Britain and set up the first Christian church at Glastonbury where he became the ancestor of an unbroken line of valiant knights. Some geographical references in the text are so direct that when carefully examined seem to accurately describe the Glastonbury landscape, leading to the claim that the Perlesvaus, or at least its prototype, must have been composed at Glastonbury. A Fragment of the Perlesvaus manuscript has been found at Wells Cathedral which adds credence to this claim.

As the Perlesvaus would appear to be based on the Somerset countryside, centred around Glastonbury, it seemed logical for Maltwood to research her map in the same area. After studying local maps and commissioning aerial photographs, Maltwood made the discovery that of the Glastonbury Zodiac, a giant Zodiac drawn into the Somerset landscape which she went onto to describe fully in her book ‘Glastonbury’s Temple of the Stars’ in 1935. The stimulus of interest in the mysterious landscape was pushed onto the back-burner with the outbreak of the Second World War in 1939, but there was a new mystery in the skies which would ultimately lead to its resurrection.

Part II - The New Mythology

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Saturday, 2 May 2009

The Sun Sets Over Atlantis


John Michell

9th February 1933 – 24th April 2009


John Michell, the father of the modern earth mysteries movement passed away in the early hours of 24th April 2009. Michell, considered a mystical visionary, was recognised as the world authority on megalithic science, ancient metrology and the enchantment of the sacred ancient landscape.

It was Michell who first brought the St Michael Line into popular debate after discussing the connection between Burrow Mump and Glastonbury Tor in his seminal book ‘The View over Atlantis’. Michell hadn’t claimed to have discovered the alignment as some years later in 2004, writing in ‘The Measure of Albion’, co-authored with Robin Heath, he says the St Michael Line has been much explored and written about since its ‘rediscovery’ in 1969.
Michell had a long term fascination with the crop circle phenomenon and founded the ‘The Cereologist’ in 1990, editing the first 12 issues, discussing origins and purpose of these swirled geometric patterns in cereal crops fields. He wrote the booklet ‘The Face and the Message’ after a new crop formation was found on the morning of 20th August 2001, in a wheatfield at Wherwell, near Andover, Hampshire. It turned out to be the image of a huge face, made from isolated clumps of standing wheat resembling computer pixels. The Face is considered by some to be a response to radio signals transmitted from earth 27 years earlier, on 16th November 1974 by the government-backed group, SETI (Search for Extra-Terrestrial Intelligence), using the giant telescope at the Arecibo Observatory in Puerto Rico which beamed coded radio messages into deep space.

The fascination with crop circles continued and in 2002 he wrote the book ‘Crooked Soley: A Crop Circle Revelation’, with Allan Brown, with an Afterword 'Mercurius in the Cornfields' by Patrick Harpur, which had originally appeared in The Cereologist. The circle appeared at night on 27 August 2002 near Hungerford, Berkshire, Michell wrote:

“This short-lived masterpiece (it lasted only a few hours before the harvesters moved in) was not only beautiful and finely crafted - as well as utterly mysterious - but it gave information, precise and numerically expressed, on a subject that I have been studying and writing about throughout my active life, the subject of ancient cosmology and the code of number on which every past civilization was founded. At the heart of this traditional code or canon are two basic components, the numbers 5040 and 7920, along with their common factor 720. These numbers were plainly emphasized in the Crooked Soley crop circle.”

Michell had shown admiration to Alfred Watkins notion of ancient alignments, or ‘leys’ as Watkins called them, and wrote the introduction to the 1974 edition of the ‘Old Straight Track’ in 1974. Watkins had failed to grasp the concept of the alignments in his original 1925 publication and didn't really have a theory to what he had noticed, when he saw 'a whole pattern of lines stretching across the landscape.' Michell took the concept further and declared the entire globe had been surveyed in ancient times:

“A great scientific instrument lies sprawled across the entire surface of the globe. At some period, perhaps it was about 4000 years ago, almost every corner of the world was visited by a group of men who came with a particular task to accomplish. With the help of some remarkable power, by which they could cut and raise enormous blocks of stone, these men erected vast astronomical instruments, circles of erect pillars, pyramids, underground tunnels, cyclopean stone platforms, all linked together by a network of tracks and alignments, whose course from horizon to horizon was marked by stones , mounds and earthworks.”

“No one knows how the world-wide task was achieved, still less why. And this of course, is the ultimate question. If we know why these people outside the range of written history devoted their entire skill and resources to the construction of a terrestrial pattern that measured both the earth and the heavens, we would know the secret of their universal civilization, a state which now seems hopelessly elusive.” - John Michell, The View over Atlantis, 1969, pp 69-70.

Followers of modern Earth Mysteries will not underestimate the impact and eloquence of the man and will be saddened by his passing. John Michell will be remembered amongst those great visionary antiquarians of their day John Aubrey and William Stukeley.

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